“The ensemble work is extraordinary. Dinh has a sculptor’s eye for spatial balance: dancers form clusters, ripples, and waves that move across the stage like breathing organisms………Dinh’s movement language has matured into something unmistakably her own.”

“Somewhere between ten and fourteen offers audiences not confrontation, but rest – an act of gentle witness.  It invites stillness in an age of over stimulation. Breath out: release, reflection, continuation.”

Linda Badger, Dance Informa

“Dinh’s mastery of subtle group manipulation gives the work its magic: formations shift imperceptibly until you realise the whole landscape has changed. Where Bonachela’s choreography is intricate in its individuality, Dinh’s is communal—she shapes the collective organism, fragmenting and reforming it so fluidly you never know how you got there.

It’s a cool piece in every sense—composed, confident. The white sand-shoes accentuate the dancers’ strut, their removal at the end a neat close—end of day, end of light. I’m keen to see what Dinh takes on next.”

Emma Sandall, Dance Australia